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Sampling Fela doesn’t make you Fela says Seun Kuti

Grammy nominee warns against comparisons to his father’s legacy

The outspoken Afrobeat singer and activist, Seun Kuti, has launched a scathing critique against contemporary Afrobeats artistes who liken themselves to his late father, the legendary Fela Anikulapo-Kuti.

Speaking on a recent episode of the Hits Don’t Lie podcast on Friday, January 16, 2026, the youngest son of the Afrobeat pioneer warned that simply sampling Fela’s music does not grant an artiste the same status or revolutionary weight. He emphasized that while he is not against the creative use of his father’s works, he finds the “New Fela” label frequently used by modern stars to be both “insulting and delusional.”

Seun Kuti specifically addressed the trend where artistes and their fanbases, particularly those of Wizkid and Burna Boy, often draw parallels between modern pop success and Fela’s cultural impact. He argued that Fela’s legacy was built on political resistance, personal sacrifice, and a commitment to social justice—elements he claims are missing in today’s mainstream music. The singer noted that it is only in Nigeria that fans are “wild” enough to try and replace a global icon with contemporary pop singers who focus primarily on charts and luxury.

“A few people have done good samples of Fela’s music, but the only critique that I have is that sampling Fela doesn’t make you Fela,” Seun stated during the interview. He further questioned why modern musicians cannot be content with their own identities instead of trying to “wear shoes that are too big to fill.” He maintained that the comparison falls flat because Fela’s work transcended entertainment to become a tool for African liberation and anti-establishment defiance.

Seun Kuti labels Wizkid FC as the most ignorant fanbase

The controversy escalated as Seun Kuti took direct aim at the supporters of Wizkid, popularly known as Wizkid FC, for their persistent online comparisons. He described the fanbase as “the most ignorant in the world,” accusing them of disrespecting Fela’s memory to boost their favorite artiste’s ego. He challenged the millions of fans to channel their energy into constructive community projects rather than engaging in “petty” social media battles over who is the modern-day equivalent of his father.

Seun also revealed that despite the frequent comparisons, Fela’s legacy continues to provide tangible benefits for his family that modern artistes cannot replicate. He shared that he recently received approximately $120,000 in royalties purely due to his father’s enduring impact, nearly three decades after his passing. He used this as a point of contrast, asking how many contemporary artistes would still be providing such “blessings from the grave” for their children thirty years after they are gone.

The singer’s comments have ignited a firestorm on social media, with many fans defending their favorite Afrobeats stars while others agree that Fela is irreplaceable. Seun’s stance remains that the current generation of musicians is spiritually unsatisfied, which is why they constantly seek validation by linking themselves to historic figures. He urged the industry to document its history properly to avoid the “erasure” of the true meaning of Afrobeat as a revolutionary genre.

The distinction between Afrobeat and modern Afrobeats

During the podcast, Seun Kuti also took the time to explain the fundamental difference between “Afrobeat” (singular) and the modern “Afrobeats” (plural). He described the former as a specific genre and a movement founded by his father, characterized by its jazz, funk, and highlife fusion coupled with political commentary. In contrast, he described “Afrobeats” as more of a “title” or a generalized tag for all popular music coming out of Africa, rather than a singular genre with a defined ideology.

This distinction, he argues, is why the comparison between Fela and modern stars like Wizkid or Burna Boy is inherently flawed. While the new generation has achieved unprecedented global commercial success, Seun insists that their music lacks the “spirituality” and “revolutionary fire” that defined his father’s era. He advised young artistes to stop chasing the “New Fela” crown and instead focus on creating original legacies that reflect their own truths and experiences.

As the debate continues to trend across Lagos and the diaspora, it is clear that the Kuti family remains protective of the patriarch’s immense legacy. With Fela recently named as a recipient of the 2026 Grammy Lifetime Achievement Award, his influence is as relevant as ever. For Seun, the message is simple: respect the pioneer, enjoy the modern sound, but never confuse the two, because the “man who has death in his pouch” stands alone in history.

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